BOZAR Silent Giant

Exploring the alternative urban monumentality of the Palais des Beaux-Arts in Brussels

This research focuses on the Palais des Beaux-Arts (PSK) in Brussels, arguing that its design offers a more subtle and democratic approach to urban monumentality compared to landmark monuments. Designed by architect Victor Horta and completed in 1928, PSK is a cultural center accommodating various national organizations under the collective name BOZAR. Despite its large scale and public intent, the building integrates seamlessly into the urban fabric, offering a labyrinthian, city-like experience. Its interior monumentality contrasts with its modest presence, making it an inspiring model for contemporary cultural institutions seeking to engage with urban life in an accessible manner.

The study questions how architecture represents power, particularly in light of ongoing debates about the legitimacy of iconic structures for city branding. The impetus is a knowledge gap about PSK and re-evaluation of the concept of monumentality. With the research, we argue that BOZAR demonstrates a multi-voiced monumentality and offers inspiration for inclusive public architecture. By drawing on archival research, literature research, interpretative analysis and model making, the project aims to develop a broader perspective on architecture as an interaction between different agents. Tracing the project from its genesis to its current functioning, allows to study the role of its architecture in shaping public space, inclusivity, and identity. The project will result in an edited volume.